归档照片。
从印度的韩国流行音乐偶像到瑞典的歌曲作者，韩国的音乐产业现在是全球人才的温床，专家说，这是一个聪明的战略，因为它的目标是统治世界。
韩国流行乐队长期以来一直包括非韩国人黑粉色。的elizabeth的昵称是泰国人，而日本和中国都有很好的代表，韩裔美国歌手在当地排行榜上名列前茅。
但在朴载相；心理线和防弹少年团等超级巨星将韩国流行音乐带给全球观众之后，几乎所有流行乐队背后的韩国娱乐机构都在进一步招募人才。
音乐博士的女子组合黑天鹅的六名女性阵容中只有两名韩国人，上个月该组合加入了业内第一位印度"偶像",该组合还加入了巴西和塞内加尔成员。
在美国，韩裔美国韩国流行音乐歌手排名查询最近赢得了全国广播公司的美国歌曲比赛，即美国版的欧洲电视网。虽然她用英语唱歌，但她在首尔的训练让她脱颖而出。
韩国正邦唱片公司的创意总监安吉丽娜福斯(安吉丽娜福斯)说，NBC的员工说，他们从未与能更快找到舞台摄像机的艺术家合作过。
福斯说，在拍摄结束时，其他参赛者都在向排名查询寻求建议，并补充说这只是训练的一部分。
'Next step'
通过全面测试
raining programs covering everything from acting and etiquette to stunt coordination, K-pop artists make some Western pop stars look like they are not even trying.
Recruited in open castings or found through online audition tapes, South Korea's entertainment agencies identify the raw talent and then get to work.
At ZB Label, part of industry powerhouse Zanybros which has produced thousands of K-pop music videos, the bosses are "always thinking -- what's the next step in K-pop," Foss said.
They signed AleXa because they believe she has the "full package" and saw her potential as a young Korean-American to appeal to K-pop's growing global fandom.
AleXa has studied dance since she was two but said the training regime was still grueling.
"I trained every day of the week. I had dance classes every single day," said AleXa, who also did years of competitive cheerleading while growing up in Tulsa, Oklahoma.
"I had weekly evaluations, which is a very big thing in the K-pop industry," she said, explaining that trainees perform for company staff to assess their progress.
After "months and months and months" of work, her bosses decided she was ready to "debut" as a fully-fledged star.
In K-pop machinery, the concept of an artist's debut is very important, and obsessive detail is put into styling, staging, and cinematography.
"Concept and execution are very, very critical," said AleXa, whose songs are written in Sweden but produced in Seoul with a US audience but global YouTube views in mind.
'Strive for perfection'
K-pop recruiters are fanning out across the world, with BTS's agency Hybe hosting auditions in cities including London, Bangkok, Sydney, and Tokyo, but at the same time, global talent is flocking to South Korea.
Iyanu Anderson, 24, discovered K-pop as a teenager in Britain where she studied Korean at university before moving to Seoul, now working as a dancer, actress, and model.
"I'd love to be trained," said Anderson, who has appeared in a Samsung commercial with BTS and performed as a backing dancer at their three March concerts in Seoul.
"But to debut as an artist, I'm not sure," she told AFP, citing the huge pressure, scrutiny, and workload facing K-pop idols.
Even as a backup dancer "there is a certain amount of pressure, just because when we're shooting a commercial, they strive for perfection."
"Sometimes we're shooting for hours and hours and one thing is out of line. And then it's a whole new setup," she said.
It is "quite difficult" for overseas performers to adapt to the hard-driving K-pop system, said Michelle Cho, assistant professor at the University of Toronto.
But the industry itself is being forced to adapt to draw top talent from across the globe, she added.
K-pop managers are "paying attention to pop cultural or youth cultural aesthetics and styles... in lots of different places," Cho explained.
If they manage to successfully diversify casting and train new types of stars, "that can only be a good thing" for the industry and its global prospects, she said.
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